enomis egnahc
caravaggista:

Artemisia Gentileschi, Judith Slaying Holofernes, 1614-20.
Detail from the Google Art Project.
cavetocanvas:

Frédéric Bazille, Bazille’s Studio; 9 rue de la Condamine, 1870
cavetocanvas:

Asger Jorn, The Situation of a Central Figure, Situation around a central figure, 1966-68
cavetocanvas:

Piero della Francesca, Madonna and Child with Saints (Montefeltro Altarpiece), 1472-74
cavetocanvas:

Asger Jorn, Drunken Danes, 1960
cavetocanvas:

Asger Jorn, Deer Rut in Wilden Kaiser, 1960
cavetocanvas:

Asger Jorn, Green Ballet, 1960
cavetocanvas:

Asger Jorn, DeCollage, 1971
cavetocanvas:

Asger Jorn, Memories Go Past, 1971
cavetocanvas:

Asger Jorn, Untitled, 1961
cavetocanvas:

Hans Memling, Triptych Of S. John The Baptist And S. John The Evangelist (detail, right wing): Breaking of the Seven Seals: the Four Apocalyptic Horsemen, 1474-79
cavetocanvas:

Yves Tanguy, The Satin Tuning Fork, 1930
From the Heilbrunn Timeline of Art History:

 By 1927, the self-taught Tanguy had found his own personal style and acquired amazing technical skill. From then until his death in 1955, he focused on the same dreamlike subject—an imaginary landscape, deserted except for various fantastical rocklike objects, rendered with precise illusionism. Usually filled with an overcast sky, the plain below stretches toward infinity without an exact horizon line. If Tanguy’s eerie vistas are pure invention, the three-dimensional, biomorphic objects that fill them may have their sources in early reliefs by Jean Arp and the paintings of 1922–23 by Joan Miró, two artists whose works were exhibited in Paris at the time. It is also possible that Tanguy was influenced by the strange stone and rock formations near Locronan in Brittany, where he sometimes visited his mother.
Tanguy’s style varied little throughout the years. Even his move to the United States had little effect on his work, although it would bring about important changes in his personal life. In New York, he joined the American Surrealist painter Kay Sage (1898–1963), and they married in 1940, the year of this painting. The long phallic form in the center of the composition may in fact reference this new relationship.
cavetocanvas:

Gustave Moreau, Scottish Horseman, c. 1854
cavetocanvas:

Hokusai, The waterfall where Yoshitsune washed his horse, Yoshino, Yamato Province, c. 1832